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1 Verschmutzung der See
Verschmutzung der See
pollution of the sea. -
2 an der See
at the seaside -
3 Rammpfahl in der See
Deutsch-Englisch Fachwörterbuch Architektur und Bauwesen > Rammpfahl in der See
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4 an der See liegend
maritime -
5 von der See verschlungen werden
ausdr.to be sent to Davy Jones's locker expr.Deutsch-Englisch Wörterbuch > von der See verschlungen werden
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6 von der See verschlungen werden
Deutsch-Englisches Wörterbuch > von der See verschlungen werden
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7 See
1. See <-s, -n> [ze:] mlake;der Genfer \See Lake Geneva;die Großen \Seen the Great Lakes;ein künstlicher \See an artificial lake2. See <-, -n> [ze:] fan der \See at the seaside, by the sea, on the coastauf \See at sea;auf \See bleiben ( euph) to die at sea;zur \See fahren to be a sailor [or [merchant] seaman];zur \See gehen to go to sea, to become a sailor -
8 See
f; -, -n1. nur Sg.; ( Meer, NAUT. Seegang) sea; an der See by the sea(side); an die See fahren go to the seaside; auf See at sea; auf hoher See on the high seas; in See gehen oder stechen put to sea; Segler: auch set sail; zur See gehen go to sea (auch Seemann werden); zur See fahren be a sailor; auf See bleiben fig., euph. be lost at sea; schwere See NAUT. heavy sea(s); offen I2. NAUT. (Woge, Sturzwelle) sea; haushohe Seen seas as high as a house, mountainous seas; von einer See über Bord gespült werden be washed overboard by a breaking sea ( oder wave)—m; -s, -n; (Binnensee) lake; am See by a ( oder the) lake; ein Haus am See auch a lakeside house; der Genfer See Lake Geneva; der Hund hat einen See gemacht umg. the dog has made a puddle* * *der Seelake; loch;die Seeocean; sea* * *I [zeː]f -, -n['zeːən] searaue or schwere Séé — rough or heavy seas
an der Séé — by the sea, at the seaside
an die Séé fahren — to go to the sea(side)
auf hoher Séé — on the high seas
auf Séé — at sea
in Séé gehen or stechen — to put to sea
zur Séé fahren — to be a merchant seaman
IIzur Séé gehen — to go to sea
m -s, -nlake; (in Schottland) loch; (= Teich) pond* * *der1) (a large area of water surrounded by land: They go swimming in / sailing on the lake; Lake Michigan.) lake2) (a particular area of sea: the Baltic Sea; These fish are found in tropical seas.) sea* * *See1<-s, -n>[ze:]m lakeder \See Genezareth REL the Sea of Galileeder Genfer \See Lake Genevadie Großen \Seen the Great Lakesein künstlicher \See an artificial lakeSee2<-, -n>[ze:]fan der \See at the seaside, by the sea, on the coastauf \See at seaauf \See bleiben (euph) to die at seain \See gehen [o stechen] to put to seazur \See fahren to be a sailor [or [merchant] seaman]zur \See gehen to go to sea, to become a sailor* * *Ider; Sees, Seen lakeIIdie; See, Seen1) o. Pl. (Meer) seaan der See — by the sea[side]
in See gehen od. stechen — put to sea
Leutnant/Kapitän zur See — (Marine) sub-lieutenant/[naval] captain
2) o. Pl. (Seemannsspr.): (Seegang)ruhige/rauhe od. schwere See — calm/rough or heavy sea
* * *See1 f; -, -nan der See by the sea(side);an die See fahren go to the seaside;auf See at sea;auf hoher See on the high seas;stechen put to sea; Segler: auch set sail;zur See gehen go to sea (auch Seemann werden);zur See fahren be a sailor;auf See bleiben fig, euph be lost at sea;2. SCHIFF (Woge, Sturzwelle) sea;haushohe Seen seas as high as a house, mountainous seas;von einer See über Bord gespült werden be washed overboard by a breaking sea ( oder wave)ein Haus am See auch a lakeside house;der Genfer See Lake Geneva;der Hund hat einen See gemacht umg the dog has made a puddle* * *Ider; Sees, Seen lakeIIdie; See, Seen1) o. Pl. (Meer) seaan der See — by the sea[side]
in See gehen od. stechen — put to sea
Leutnant/Kapitän zur See — (Marine) sub-lieutenant/[naval] captain
2) o. Pl. (Seemannsspr.): (Seegang)ruhige/rauhe od. schwere See — calm/rough or heavy sea
* * *-n f.ocean n.sea n. -n m.lake n. -
9 See
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10 See
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11 der
1. pron impder er varmt i stúen — в ко́мнате тепло́
2. advder er — есть, име́ется
bógen lígger der — кни́га лежи́т там
* * *there, which, who, whom* * *I. (relativt pron) ( om personer) who,( om alt andet) which;( i bestemmende relativsætninger også) that.II. adv there;[ de bøger dér] those books (over there);[ der har vi det] there you are;[ hvem der?] who is there?(mil.) who goes there?[ der hvor] where;[ der i landet] in that country;[ han var der ikke] he was not there;[ som upersonligt el. foreløbigt subjekt:][ der danses] they are (el. there is) dancing;[ der høres en stemme] a voice is heard;[ der blev sendt bud efter lægen] the doctor was sent for;[ der siges] it is said;[ der er koldt her] it is cold here;[ der er langt], se langt;[ der er mange mennesker] there are many people;[ der er 5 miles til London] it is 5 miles to London....),F hence ( fx hence it follows that...);[ fem skibe, deraf to bevæbnede] five ships, two of them armed;[ følgen deraf er] the consequence is;[ deraf følger at] hence it follows that;[ deraf ser du] from that you may see. -
12 der Heilige Stuhl
1. See of Rome2. the Holy See -
13 der Heilige Stuhl
m.the Holy See n. -
14 Der Fahrer versuchte angestrengt, etwas im Nebel zu erkennen.
The driver strained to see something through the fog.Deutsch-Englisches Wörterbuch > Der Fahrer versuchte angestrengt, etwas im Nebel zu erkennen.
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15 Bleder See
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16 Genfer See
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17 Leutnant zur See
der Leutnant zur Seeensign -
18 Rohe, Ludwig Mies van der
Biographical history of technology > Rohe, Ludwig Mies van der
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19 Vierwaldstätter See
m; -s; GEOG. Lake Lucerne* * *der Vierwaldstätter SeeLake of Lucerne* * *Vier|wạld|stät|ter See [fiːɐ'valtʃtɛtɐ]mLake Lucerne* * *Vier·wald·stät·ter See[fi:ɐ̯ˈvaltʃtɛtɐˈze:]▪ der \Vierwaldstätter See Lake Lucerne* * ** * ** * * -
20 Mies van der Rohe, Ludwig
SUBJECT AREA: Architecture and building[br]b. 27 March 1886 Aachen, Germanyd. 17 August 1969 Chicago, USA[br]German architect, third of the great trio of long-lived, second-generation modernists who established the international style in the inter-war years and brought it to maturity (See Jeanneret (Le Corbusier) and Gropius).[br]Mies van der Rohe was the son of a stonemason and his early constructional training came from his father. As a young man he gained experience of the modern school from study of the architecture of the earlier leaders, notably Peter Behrens, Hendrik Berlage and Frank Lloyd Wright. He commenced architectural practice in 1913 and soon after the First World War was establishing his own version of modern architecture. His building materials were always of the highest quality, of marble, stone, glass and, especially, steel. He stripped his designs of all extraneous decoration: more than any of his contemporaries he followed the theme of elegance, functionalism and an ascetic concentration on essentials. He believed that architectural design should not look backwards but should reflect the contemporary achievement of advanced technology in both its construction and the materials used, and he began early in his career to act upon these beliefs. Typical was his early concrete and glass office building of 1922, after which, more importantly, came his designs for the German Pavilion at the Barcelona Exposition of 1929. These designs included his famous Barcelona chair, made from chrome steel and leather in a geometrical design, one which has survived as a classic and is still in production. Another milestone was his Tugendhat House in Brno (1930), a long, low, rectilinear structure in glass and steel that set a pattern for many later buildings of this type. In 1930 Mies followed his colleagues as third Director of the Bauhaus, but due to the rise of National Socialism in Germany it was closed in 1933. He finally left Germany for the USA in 1937, and the following year he took up his post as Director of Architecture in Chicago at what is now known as the Illinois Institute of Technology and where he remained for twenty years. In America Mies van der Rohe continued to develop his work upon his original thesis. His buildings are always recognizable for their elegance, fine proportions, high-quality materials and clean, geometrical forms; nearly all are of glass and steel in rectangular shapes. The structure and design evolved according to the individual needs of each commission, and there were three fundamental types of design. One type was the single or grouped high-rise tower, built for apartments for the wealthy, as in his Lake Shore Drive Apartments in Chicago (1948–51), or for city-centre offices, as in his Seagram Building in New York (1954–8, with Philip Johnson) or his Chicago Federal Centre (1964). Another form was the long, low rectangle based upon the earlier Tugendhat House and seen again in the New National Gallery in Berlin (1965–8). Third, there were the grouped schemes when the commission called for buildings of varied purpose on a single, large site. Here Mies van der Rohe achieved a variety and interest in the different shapes and heights of buildings set out in spatial harmony of landscape. Some examples of this type of scheme were housing estates (Lafayette Park Housing Development in Detroit, 1955–6), while others were for educational, commercial or shopping requirements, as at the Toronto Dominion Centre (1963–9).[br]Further ReadingL.Hilbersheimer, 1956, Ludwig Mies van der Rohe, Chicago: P.Theobald.Peter Blake, 1960, Mies van der Rohe, Architecture and Structure, Penguin, Pelican. Arthur Drexler, 1960, Ludwig Mies van der Rohe, London: Mayflower.Philip Johnson, 1978, Mies van der Rohe, Seeker and Warburg.DYBiographical history of technology > Mies van der Rohe, Ludwig
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